Fine Cartoon Art

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Posts Tagged ‘r. crumb’

What I’m Reading Now Dept.: MINESHAFT!

Posted by jtebeau on August 15, 2012

Where did they go, all those underground comic books of yore? Well, many tanked. But R. Crumb kept it going with Weirdo for a while there. Art Spiegelman had Raw, but that was more artsy. Anyway, we have a new winner: Mineshaft, published by Everett Rand and Gioia Palmieri in North Carolina. They’re up to issue number 27, and from what I’ve seen, they’re getting better and better, featuring old timers like Crumb and newer masters like Christoph Mueller and Nina Bunjevac. Each issue is surprising and deep and worthwhile and nourishing. Check it out.

Latest issue of “Mineshaft”
by C. Mueller
by Nina Bunjevac

early “Mineshaft” cover by Crumb

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Crumb, the Next Generation: Sophie’s Show Opens in NYC

Posted by jtebeau on November 15, 2010

Sophie Crumb’s first solo art show opened this month at DCKT Contemporary here in Manhattan. I went with Mike “Art in Brooklyn” Sorgatz and we took it in. I was curious to see what this young woman was doing artistically, the daughter of two well-known neurotic artists, and I was particularly motivated because I felt I knew her since she was a little girl. By gad, her dad Robert has been documenting the [actually fascinating] minutiae of her life (as well as everything in HIS life) through his cartoons for decades now. On the verge of 30, little Sophie (love that name; the goddessness of it and all) is all growed up. I wanted to see what she was producing.

 

Sophie at nine, by Robert & Aline

 

 

"Sophie Manson" by Sophie herself

Her work is good. She’s got skills, especially in the ink-and-watercolor department, something I really admire. She comments on life’s gruesome and absurd truthiness, not unlike her folks. The stuff of hers that I saw was less autobiographical, though – more akin to the paintings her uncle Maxon did. An outsider looking in, like Tocqueville or Magaret Mead.

 

The scene at the opening was good. A lively mix of odd comic geeks and LES/Bushwick hipster-artist types. Bottles of Miller on ice. Many pieces sold. Go get ’em Soph’.

 

Uncle Max and an original oil of his

"La Vraie Vie Des People" by Sophie (2010)

"Snooki Gets Booky" by Sophie (2010)

Dad Robert (in cap) at Sophie's opening (courtesy Slum Goddess)

The show runs till December 30, 2010 at DCKT Contemporary in Manhattan.

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“A Short History of America” by Robert Crumb

Posted by jtebeau on July 12, 2010

One of my favorite classic Crumb pieces, summing up the story of modernization and “progress” in America. It’s terrifically rendered, poignant and personal. Truly fine cartoon art…

[from the film “Crumb” by Terry Zwigoff]

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When an Artist Curates a Show, Good Things Happen.

Posted by jtebeau on March 10, 2010

“Artists make great exhibition curators. They have expert eyes, a personal stake in the game and contacts with all kinds of other artists, including those who ride under the establishment radar. Museum surveys of contemporary art rarely produce surprises. Artist-organized gallery shows almost always do.”

So wrote the art critic Holland Cotter a couple years ago in the New York Times, upon reviewing the excellent “NeoIntegrity” show at Derek Eller Gallery, curated by artist Keith Mayerson. Mayerson’s at it again, and this time it’s comics.

The Museum of Comic and Cartoon Art (MoCCA) kicks off “NeoIntegrity: Comics Edition” in their SoHo digs on Friday March 12. Curated by Mr. Mayerson, the exhibit features the work of over 200 cartoonists, including R. Crumb, Peter Bagge, Lynda Barry, Charles Addams, Julie Doucet (yummy website, Julie!), Daniel Clowes, Charles Burns, Roz Chast, Al Jaffee, Harvey Kurtzman, Isabella Bannerman, Jules Feiffer, Art Spiegelman…. [catching breath!] It’s a veritable cornucopia, my friends. A CAVALCADE of TALENT. (though I’m bummed Nina Paley’s not on the list) Still, the mind is, how you say, boggled by the breadth and depth of the line-up: a Murderers Row of the ink set. Do yourself a favor and go see it.

“NeoIntegrity: Comics Edition” runs from March 12 to May 30 at the Museum of Comic and Cartoon Art, 594 Broadway (between Houston and Prince), fourth floor.


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